[live from home, near, far, wherever you are!]

It's over for now, but not forever. Home Cinema will be back!

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It's over for now, but not forever. Home Cinema will be back!

+++

It's over for now, but not forever. Home Cinema will be back!

+++

It's over for now, but not forever. Home Cinema will be back!

+++

It's over for now, but not forever. Home Cinema will be back!

+++

It's over for now, but not forever. Home Cinema will be back!

+++

It's over for now, but not forever. Home Cinema will be back!

+++

It's over for now, but not forever. Home Cinema will be back!

+++

Happy Integration

Asya Sukhorukova

2026

There is an elephant in the room. The elephant's name is Happy. Happy is waiting for an appointment at the fabled Personhood Integration Centre. Happy is trying to become a person.

Happy Integration is a bureaucratic fantasia probing the metaphysics of (legal) personhood and thinghood, (registered) names and bodies, and the fabricated worlds of (civic) integration. At its core is the dramatisation of a legal case involving one sad and lonely elephant. In 2005, the real-life Happy became the first elephant in the world to pass the so-called “mirror self-recognition test”, which later played a central role in her claim to legal personhood.

The visitor is offered a choice: to inhabit the elephant in the room by watching the film in VR, or to join the Personhood Integration Committee by taking a seat at the desk and familiarising with Happy’s dossier.

About the artists:

Asya Sukhorukova (she/her, b. 1994, Moscow) is a multidisciplinary artist/designer/developer based in the Netherlands. Asya's independent and collaborative work sways from speculative to applied depending on occasion, from coding and media research to writing, to moving image, to scenography. Her practice interweaves fictionalised characters and speculative settings with theoretical and historical investigation, testing make-believe as a mode of inquiry.

  • Asya Sukhorukova